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222 flatfile artwork Results
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Filet dans les Arbres 1
Nathalie Albaledejo, Filet dans les Arbres 1, ink and walnut stain on photo paper, 8 " X 11.5".
Filet dans les Arbres 2
Nathalie Albaledejo, Filet dans les Arbres 2, ink and walnut stain on photo paper, 8.5" X 12".
Pretending That These are Negative Thoughts
Roberta Allen, Pretending That These are Negative Thoughts, 2014, ink on paper, 9 in X 6 in.
Pretending These Lines are Thoughts Acted upon by the World
Roberta Allen, Pretending These Lines are Thoughts Acted upon by the World, 2014, ink on paper, 9 in X 6 in.
Pretending That Only the Red Lines are Thoughts
Roberta Allen, Pretending That Only the Red Lines are Thoughts, 2014, ink on paper, 9 in X 6 in.
Lines as Thoughts in Conflict II
Roberta Allen, Lines as Thoughts in Conflict II, 2014, ink on paper, 9 in X 6 in.
Pretending that an Unknown Number of Lines are Thoughts
Roberta Allen, Pretending that an Unknown Number of Lines are Thoughts, 2014, ink on paper, 7.5 in X 6 in.
Pretending these Lines are Unthinkable Thoughts, Disguised as Conflicting Thoughts
Roberta Allen, Pretending these Lines are Unthinkable Thoughts, Disguised as Conflicting Thoughts, 2014, ink on paper, 9 in X 6 in.
Lines as Thoughts Disguising Emptiness
Roberta Allen, Lines as Thoughts Disguising Emptiness, 2014, ink on paper, 8.5 in X 6 in.
Pretending these Lines are Thoughts Responding to Something Unseen
Roberta Allen, Pretending these Lines are Thoughts Responding to Something Unseen, 2014, ink on paper, 9 in X 6 in.
Tamera Bedford, Falling Down, 2018, archival ink on paper, 20.5 in X 24.6 in.
Atmospheric Fade
Tamera Bedford, Atmospheric Fade, 2018, archival ink on paper, 19.7 in X 24 in.
What is to be Built #2
Mildred Beltré, What is to be Built #2, 2012, Ink, Graphite, 10 in X 10 in.
What is to be Built #3
Mildred Beltré, What is to be Built #3, 2011, ink, graphite, marker, 10 in X 10 in.
Two Angles
Ernst Benkert, Two Angles, 1982, Ink, 30 in X 22.5 in.
No longer available
Baltic References
Ernst Benkert, Baltic References, 1983, Ink, 30 in X 22.3 in.
No longer available
Bars II
Ernst Benkert, Bars II, 1982, Ink, 30 in X 22.3 in.
Burned Out Churches
Ernst Benkert, Burned Out Churches, 2004, Ink on paper, 17 in X 11 in.
Ernst Benkert, Cross Field, 1984, Ink, 9 in X 12 in.
Ernst Benkert, Maurer-Effekt, 1986, ink on paper , 29 in X 23 in.
No longer available
Ernst Benkert, Melancholy Otto , 1986, ink on paper, 29 in X 23 in.
Mondrian’s Chinese Love Affair
Ernst Benkert, Mondrian’s Chinese Love Affair, 1984, ink on paper , 30.5 in X 22.5 in.
No longer available
Mondrian’s Chinese Love Affair 2
Ernst Benkert, Mondrian’s Chinese Love Affair 2, 1984, ink on paper , 30.5 in;30.5 in X 22.5 in;22.5 in.
Nervenbündel
Ernst Benkert, Nervenbündel , 1985, ink on paper, 12 in X 9 in.
No longer available
Ernst Benkert, Hairy Mess, 1985, ink on paper , 12 in X 9 in.
No longer available
New Series B #7
Ernst Benkert, New Series B #7, 1995, ink on paper , 26 in X 20 in.
Ernst Benkert, Size Change, 1972, Ink, 30 in X 22 in.
Square Mesh
Ernst Benkert, Square Mesh, 1985, Ink, 30 in X 22 in.
Tomb
Ernst Benkert, Tomb, 1990, Ink, 30 in X 22 in.
Tomb
Ernst Benkert, Tomb, 1991, Ink, 30 in X 22 in.
No longer available
Ernst Benkert, Wolgast (Bombsites Series), 1986, Ink, 29 in X 23 in.
No longer available
Zig Zag 2
Ernst Benkert, Zig Zag 2, 1991, Ink, 30 in X 22 in.
Zig Zag Bars
Ernst Benkert, Zig Zag Bars, 1983, Ink, 30 in X 22 in.
No longer available
Zig Zag Monalog
Ernst Benkert, Zig Zag Monalog, 1983, Ink, 30 in X 22 in.
Side by Side
Ernst Benkert, Side by Side, 1991, Ink, 30 in X 22 in.
Ernst Benkert, Catch Me if You Can, 1986, Ink, 30 in X 22 in.
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Drawing (210)
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black and white (85)
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figurative (6)
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portrait (1)

exhibition

30/30 SMALL WORKS ON PAPER (2)
100 Works on Paper Benefit Exhibition 2014 (1)
Chance and Necessity: Selections from the Kentler Flatfiles (1)
Circumstances: Selections from the Kentler Flatfiles (4)
connect + collect: Kentler Flatfiles Fundraiser Exhibition (2)
Degrees of Density: Selections from the Kentler Flatfiles (6)
Degrees of Density: Selections from the Kentler Flatfiles (AR) (3)
Degrees of Density: Selections from the Kentler Flatfiles (GA) (3)
Ernst Benkert, Drawings 1959-2004 (10)
Figure?Ground: Selections from the Kentler Flatfiles (2)
Flat??? Selections from the Kentler Flatfiles (2)
Flowers/Kwiaty: Selections from the Kentler Flatfiles (1)
Focus on the Flatfiles: Echo Echo (1)
Focus on the Flatfiles: Escape into Reality (1)
Focus on the Flatfiles: Hive Mind (2)
Focus on the Flatfiles: Home (1)
Focus on the Flatfiles: Igniting the Pendulum (3)
Focus On The Flatfiles: In Bloom (1)
Focus on the Flatfiles: Inter(action) (1)
Focus on the Flatfiles: Movement in Black & White (1)
Focus on the Flatfiles: Personal Matters (1)
Focus on the Flatfiles: Ritual (5)
Focus on the Flatfiles: See the Unseen (1)
Focus on the Flatfiles: When the Morning Gathers the Rainbow (1)
In Reflection: Selections from the Kentler Flatfiles (1)
Inside Out: Selections from the Kentler Flatfiles (3)
Janell O'Rourke, Within/Without (3)
Kazuhiro Nishijima, Drawings from Japan (2)
The Kentler Flatfiles @ 21 (1)
The Kentler Flatfiles: Red Hook Artists - The 90s (1)
Mapping Spaces: Carte Blanche, Selections from the Kentler Flatfiles (1)
Marked Differences: Selections from the Kentler Flatfiles (2)
Morgan O'Hara, "Live Transmissions" (1)
MUSIC AS IMAGE AND METAPHOR at Kentler (6)
MUSIC AS IMAGE AND METAPHOR at the Bartlett Center (6)
MUSIC AS IMAGE AND METAPHOR at the George Ohr Museum (6)
Nature Trails: Selections from the Kentler Flatfiles (1)
Patterning: Selections from the Kentler Flatfiles (2)
PORTRAIT: The Kentler Flatfiles in 58 Works (8)
RE:GENERATION / emerging women artists (1)
Selections from the Kentler Flatfiles: New Additions (4)
Stack/File: Selections from the Kentler Flatfiles (4)
To Be Young Gifted and Black in the Age of Obama (1)
Uncovered: Prints: Selections from the Kentler Flatfiles (1)
Variations in Black and White: at BAM (1)
VIEW FILES: In the Elements (1)
VIEW FILES: PLEXUS (7)
VIEW FILES: The Essential Kentler Flatfiles (1)
WE COULD BE HEROES, JUST FOR ONE DAY: Selections from the Kentler Flatfiles (1)
and 42 more

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