41 flatfile artwork Results

exhibition:
Hugh Williams, Gospel Singer #2, 2005, Charcoal on paper, 40 in X 26.5 in.
Molly Snyder-Fink, Pianoman, 2005, Charcoal on paper, 14 in X 17 in.
No longer available
Susan Schwalb, Strata #477, 2007, Metalpoint (silver, gold, copper, brass, titanium), 12 in X 12 in.
Viviane Rombaldi Seppey, Cacophony, 2019, ink on paper, 30 in X 23 in.
No longer available
Singing Letters
Viviane Rombaldi Seppey, Singing Letters, 2019, hand crank music boxes and notated paper / installation with participatory input from the public. "Singing Letters" is a collaboration with musician Benjamin Velez, who translated Viviane's drawing based on the alphabet into musical notation. Each score, referencing one letter of the alphabet, is transcribed on musical paper to be played on the music box , 2.75 in X 14 in.
No longer available
Orlando Richards, Music Man, 2008, Digital photo print, 29.5 in X 21 in.
Note
Scott Pfaffman, Note, 2016, gouache , 10 in X 8 in.
Jaanika Peerna, Drooplines, 2016, graphite and colored pencil on Mylar, 24 in X 6 in.
Music Drawing in Blue
Gahae Park, Music Drawing in Blue, 2001, Ink on cut paper, 13.5 in X 16.5 in.
Music Drawing in Blue
Gahae Park, Music Drawing in Blue, 2001, Ink on paper and cut paper, 14 in X 14 in.
Gahae Park, Music Drawing, 2001, Cut paper, 14 in X 14 in.
Live Transmission: Movement of musicians & technicians striking the set of RAINFOREST 4/ Clark Theatre at Lincoln Center / New York City / 20 July 1998
Morgan O’Hara, Live Transmission: Movement of musicians & technicians striking the set of RAINFOREST 4/ Clark Theatre at Lincoln Center / New York City / 20 July 1998, 1998, Graphite on paper, 13.75 in X 17 in.
No longer available
Kazuhiro Nishijima , Untitled, 2002, syu (japanese vermilion ink) and sumi (japanese carbon black ink) on Japanese cotton, 11.25 in X 14.25 in.
No longer available
Respite 1 (Black & White)
Margaret Neill, Respite 1 (Black & White), 2013, India ink on paper, 15 in X 15 in.
Respite 3 (Black & White)
Margaret Neill, Respite 3 (Black & White), 2013, India ink on paper, 15 in X 15 in.
Trio II
Florence Neal, Trio II, 2006, Lithograph, Edition: 1/1, 8.3 in X 8.25 in.
Harmonic
Jim Napierala, Harmonic, 2007, mixed media on veneer, 14.5 in X 12.75 in.
In Hoc Signo Vinces
Simon Lewandowski, In Hoc Signo Vinces, 1995, Woodcut, 66 in X 51 in.
Echo
Robert Lansden, Echo, 2008, graphite on paper, 22 in X 22 in.
Basic Story
Jiří Kornatovský, Basic Story, 1990, Pencil on paper, 85 in X 180 in.
Exile Series #11
Rosalinda Kolb, Exile Series #11, 2007, Colored pencil on paper, 19 3/8 in X 26.5 in.
Progression
Ralph Kiggell, Progression, 2011, water-based woodblock print (mokuhanga) on handmade Japanese paper (washi), Edition: 4/10, 5.9 in X 17.7 in.
Automatic Writing Series no. 17
Mary Judge, Automatic Writing Series no. 17, 1999, powdered pigment on 100% rag paper, 10 in X 7 in.
Automatic Writing Series no. 16
Mary Judge, Automatic Writing Series no. 16, 1999, powdered pigment on 100% rag paper, 10 in X 7 in.
Hannah Israel, the same and other, 2019, Etching on paper, 19 in X 24 in.
Richard Howe, 030211/2, 2003, Graphite on paper, 15 in X 22 in.
Richard Howe, 010721/6, 2001, Graphite on paper, 15 in X 22 in.
robin holder, Five Spot 2, 2005, stencil monotype, 22 in X 30 in .
Topophilia Ma and Ki - Memory
Keiko Hara, Topophilia Ma and Ki - Memory, 2016, Mokuhanga, stencil and collage on washi scroll (2 sides), 72 in X 24 in.
No longer available
Topophilia Ma and Ki - Memory
Keiko Hara, Topophilia Ma and Ki - Memory, 2016, Mokuhanga, stencil and collage on washi scroll (2 sides), 72 in X 24 in.
No longer available
Topophilia Ma and Ki - Memory
Keiko Hara, Topophilia Ma and Ki - Memory, 2016, Mokuhanga, stencil and collage on washi scroll (2 sides), 72 in X 24 in.
No longer available
Repeat After Me - Morning Column;Repeat After Me - Morning Column
Takuji Hamanaka, Repeat After Me - Morning Column, 2011, mokuhanga collage on museum board, 29 in X 24 in.
Abby Goldstein, Freestyle, 2019, pigment, binder on paper, 30" X 22".
Acoustic Shadow
Phillip Chen, Acoustic Shadow, 2002, Relief etching, 31 in X 23 in.
Dancing with D’Arcy Thompson
Beth Caspar, Dancing with D’Arcy Thompson , 2000, Linocut, ed. 4/10, (series of 4), 24 in X 26.25 in.
Dancing with D’Arcy Thompson
Beth Caspar, Dancing with D’Arcy Thompson , 2000, Linocut, ed. 4/10, (series of 4), 24 in X 26.25 in.
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