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130 flatfile artwork Results
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environmental
Shelby Shadwell,
UNTITLED
, 2023, charcoal on paper, 30" X 20".
Lucy May Schofield,
April Day (YlnMn), edition: 2/4
, 2022, Mokuhanga and hand coloring , 8 1/2" X 11".
No longer available
Florence Neal,
Wood to Water: White Ash
, 2022, Water-based Woodcut (mokuhanga) on handmade Japanese paper (washi), edition: 6/6, 15 7/8" X X 31.75".
No longer available
Susan Newmark,
Climate Crisis: Toxic Water
, 2022, collage woven on a loom, acrylic, thread, wood dowels, 10" X 7.5".
Susan Newmark,
Climate Crisis: Northern Ice Melt
, 2022, collage woven on a loom, acrylic, thread, wood dowels, X .
Jacqueline Gribbin,
Recovery I
, 2022, Water-based woodblock print (mokuhanga) on Tosa Kozo, with ink made from the charcoal of a Woollybutt tree, Edition of 4/4, Printed by hand from original, hand carved woodblocks , 13 3/4" X 17 3/4".
Jacqueline Gribbin,
Recovery II
, 2022, Water-based woodblock print (mokuhanga) on Tosa Kozo, with ink made from the charcoal of a Woollybutt tree, Edition of 6/6, Printed by hand from original, hand carved woodblocks , 13 3/4" X 17 3/4".
Florence Neal,
Wood to Water: White Ash
, 2022, Water-based Woodcut (mokuhanga) on handmade Japanese paper (washi), edition: 3/6, 15 7/8" X X 31.75".
Cameron Bailey,
Terra Fragilis
, 2021, Reduction mokuhanga, 13" X 18".
Cameron Bailey,
The Dream
, 2021, Reduction mokuhanga, 20" X 11".
Cameron Bailey,
Adaptation
, 2021, Reduction mokuhanga, 12" X 23".
Terry McKenna,
Linden Falls
, 2021, mokuhanga, ed. 6/10, 36.5" X 19.5".
Terry McKenna,
Sengataki Wood
, 2021, mokuhanga, ed. 3/10, 11.75" X 16.5".
Joo Sung Kim,
Y. Snake
, 2021, Oriental paint on paper, 21" X 30".
Jacqueline Gribbin,
Hot Burn I
, 2021, Water-based woodblock print (mokuhanga) on Tosa Koto, with ink made from the charcoal of Stringybark and Woollybutt trees, Edition: 9/10, Printed by hand from original, hand carved woodblocks, 11 3/4" X 17 3/4".
No longer available
Jacqueline Gribbin,
Hot Burn II
, 2021, Water-based woodblock print (mokuhanga) on Tosa Kozo, with ink made from the charcoal of a Woollybutt tree, Edition: 9/10, Printed by hand from original, hand carved woodblocks , 11 3/4" X 17 3/4".
Cameron Bailey,
Mycorrhizae
, 2020, Reduction mokuhanga, 18" X 23".
Florence Neal,
Pear Tree II
, 2020, mokuhanga (waterbased woodcut), sumi & water-based pigment on washi (Japanese kozo paper), edition: 1/6, 15" X X 11".
Margaret Cogswell,
View from a Puddle #1
, 2019, Watercolor and colored pencils, 44" X 30 in.
Sascha Mallon,
About Wearing a Good Nest
, 2018, ink and watercolor on paper, 20 in X 30 in.
Sascha Mallon,
Time Outside of Oneself
, 2018, ink, watercolor on paper, crochet border, 30 in X 20 in.
Sascha Mallon,
Inversion of a Delicate Song
, 2018, ink, watercolor on paper, crochet border, 20 in X 30 in.
Mariella Bisson,
Swimming with Ghosts, The Blue Hole
, 2017, Ghost print with colored pencil, graphite, watercolor, gouache, 19.5 in X 23.75 in.
Mariella Bisson,
Walk in the Wind, Walk in the Woods
, 2017, Collage with charcoal, watercolor and monoprint, 16 in X 20 in.
Ralph Kiggell,
White Flower (Dok Khae)
, 2017, Mokuhanga (water-based woodcut), edition: 7/35, 25" X 19 7/8".
April Vollmer,
Love Beyond Reason
, 2017, Woodcut, 15" X 11".
Ralph Kiggell,
Red and White Shell
, 2017, Mokuhanga, edition: 1/35, 25" X 19 7/8".
Natasha Norman,
Irises, after Hokusai
, 2017, Mokuhanga, ed. 16/22, 8.7" X 7.9".
No longer available
Sascha Mallon,
Room Without Window
, 2016, ink, watercolor on paper, 20 in X 30 in.
April Vollmer,
Cranefly Rotation Wallpaper 1
, 2016, mokuhanga on mura koban washi, laser and hand cut blocks, 21" X 17".
April Vollmer,
Cranefly Rotation Wallpaper ll
, 2016, mokuhanga on mura koban washi, laser and hand cut blocks, 21" X 17".
Margaret Cogswell,
Red Hook Harbor Soundings #21
, 2015, Watercolor and colored pencils, 15.75 in X 30 in.
Margaret Cogswell,
Red Hook Harbor Soundings #26
, 2015, Watercolor and colored pencils, 15 in X 22.25 in.
No longer available
Margaret Cogswell,
Red Hook Harbor Soundings #28
, 2015, Watercolor and colored pencils, 15.5 in X 30 in.
Margaret Cogswell,
Red Hook Harbor Soundings #29
, 2015, Watercolor and colored pencils, 15 in X 22.25 in.
No longer available
Margaret Neill,
Basin and Range
, 2015, graphite on paper, 23 in X 22 in.
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exhibition
Between Worlds - Mokuhanga (1)
Circumstances: Selections from the Kentler Flatfiles (3)
connect + collect: Kentler Flatfiles Fundraiser Exhibition (1)
Disrupting the Grid: Selections from the Kentler Flatfiles (2)
Figurations: Selections from the Kentler Flatfiles (1)
Focus on the Flatfiles: Hive Mind (1)
Focus On The Flatfiles: In Bloom (1)
Focus on the Flatfiles: LIKENESS (1)
Focus on the Flatfiles: Views from Red Hook (1)
Focus on the Flatfiles: Water Reflections (1)
IN THE ELEMENTS: Selections from the Kentler Flatfiles (5)
In the Elements: Selections from the Kentler Flatfiles at Columbus State University (4)
Inside Out: Selections from the Kentler Flatfiles (2)
Jane Ingram Allen, Site Maps, Red Hook, Brooklyn (1)
The Kentler Flatfiles @ 21 (1)
Large & Small: Selections from the Kentler Flatfiles (1)
Mapping Spaces: Carte Blanche, Selections from the Kentler Flatfiles (4)
Nature Trails: Selections from the Kentler Flatfiles (2)
PORTRAIT: The Kentler Flatfiles in 58 Works (2)
Richard Mock: The Cutting Edge (4)
Selections from the Kentler Flatfiles: New Additions (2)
Uncovered: Prints: Selections from the Kentler Flatfiles (2)
VIEW FILES - Kentler Flatfiles Holiday Fundraiser (2)
VIEW FILES: Richard Mock (3)
WE COULD BE HEROES, JUST FOR ONE DAY: Selections from the Kentler Flatfiles (1)
and 18 more