32 flatfile artwork Results

exhibition:
Richard Howe, The Old Men are Gone from the Gate/The Young Men from their Music, 011001/1, 2001, Graphite and colored pencil on paper, 22.5 in X 30 in.
Richard Howe, 031128/1, 2003, Graphite / Pencil, 30.25 in X 44 in.
Circling the Square 14
Beth Caspar, Circling the Square 14, 2005, Graphite, X .
Beth Caspar, Collide-oscope 4, 2008, Graphite and Prismacolor on paper, 23 in X 26 in.
Changes #9
Arezoo Moseni, Changes #9, 2009, Ink, pencil, wine, Van Dyke sensitizer, 22 in X 16 in.
Audrey Stone, #17, 2009, Thread, ink, and pencil , 17 in X 14 in.
Sabine Friesicke, Untitled, 2009, gouache on paper, 11 in X 11 in.
Audrey Stone, #45 (Red, Orange, Yellow Stairs), 2011, thread, pencil, and colored pencil on paper, 17 in X 14 in.
Repeat After Me - Morning Column;Repeat After Me - Morning Column
Takuji Hamanaka, Repeat After Me - Morning Column, 2011, mokuhanga collage on museum board, 29 in X 24 in.
Repeat After Me - Gray
Takuji Hamanaka, Repeat After Me - Gray, 2011, mokuhanga collage on museum board, 28 in X 22 in.
Claudia Sbrissa, Green Stacks, Small (In the KG series) , 2011, ink and vinyl collage, 15 in X 11 in.
Green Form #1 (In the KG series)
Claudia Sbrissa, Green Form #1 (In the KG series) , 2011, ink and vinyl collage, 15 in X 11 in.
Sabine Friesicke, Pink River II, 2011, gouache on paper, 11 in X 11 in.
Donna Ruff, Spreads of Influence/Mirror, 2012, burns on book page, 7 in X 9 in.
Carol Prusa, Unrepresentable, 2013, Silverpoint and graphite on half dome, 14 in X 14 in.
Nottingen (Germany)
Viviane Rombaldi Seppey, Nottingen (Germany), 2013, Cut and woven maps, 14.5 in X 4 in.
Mado (Kenya)
Viviane Rombaldi Seppey, Mado (Kenya), 2014, Cut and woven maps, 7 in X 7 in.
She Feels Your Absence Deeply
Golnar Adili, She Feels Your Absence Deeply, 2015, Silkscreen on 5 sheets of tissue paper, 36 in X 25 in.
Number 590
Viviane Rombaldi Seppey, Number 590, 2015, US phone books, 11.5 in X 9 in.
Number 196
Viviane Rombaldi Seppey, Number 196, 2015, cut phone book pages, 11.5 in X 9 in.
Benshinand-Benshaanand (as They Sit, They Settle)
Golnar Adili, Benshinand-Benshaanand (as They Sit, They Settle), 2015, silkscreen on 4 layers of tissue, 24" X 36".
No longer available
See the Unseen
Mildred Beltré, See the Unseen, 2016, Colored pencil and walnut ink, 30 in X 22 in.
Grid: Violet
Jane Lincoln, Grid: Violet, 2017, white line woodcut, 8 in X 8 in.
Presence
Mildred Beltré, Presence, 2017, Walnut ink and digital print, 30 in X 22 in.
Deep Seeing IV
Barb Bondy, Deep Seeing IV, 2018, Graphite on paper, 30" X 22.5".
Deep Seeing V
Barb Bondy, Deep Seeing V, 2018, Graphite on paper, 30" X 22.5".
Erick Johnson, Segmented Polygons #6, 2020, Colored pencil on paper, 14 in X 11 in.
Margie Neuhaus, Untitled (b7.1.2), 2020, Graphite on paper, 11" X 14".
Erick Johnson, Segmented Polygons #7, 2020, Colored pencil on paper, 14" X 11".
Margie Neuhaus, Above and Below the Line Series (1.10), 2021, Graphite on paper, 14" X 16.5".
Climate Crisis: Toxic Water
Susan Newmark, Climate Crisis: Toxic Water, 2022, collage woven on a loom, acrylic, thread, wood dowels, 10" X 7.5".
Climate Crisis: Northern Ice Melt
Susan Newmark, Climate Crisis: Northern Ice Melt, 2022, collage woven on a loom, acrylic, thread, wood dowels, X .
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