334 flatfile artwork Results

Medium:
Filet dans les Arbres 1
Nathalie Albaledejo, Filet dans les Arbres 1, ink and walnut stain on photo paper, 8 " X 11.5".
Filet dans les Arbres 2
Nathalie Albaledejo, Filet dans les Arbres 2, ink and walnut stain on photo paper, 8.5" X 12".
Pretending That These are Negative Thoughts
Roberta Allen, Pretending That These are Negative Thoughts, 2014, ink on paper, 9 in X 6 in.
Pretending These Lines are Thoughts Acted upon by the World
Roberta Allen, Pretending These Lines are Thoughts Acted upon by the World, 2014, ink on paper, 9 in X 6 in.
Pretending That Only the Red Lines are Thoughts
Roberta Allen, Pretending That Only the Red Lines are Thoughts, 2014, ink on paper, 9 in X 6 in.
Lines as Thoughts in Conflict II
Roberta Allen, Lines as Thoughts in Conflict II, 2014, ink on paper, 9 in X 6 in.
Pretending that an Unknown Number of Lines are Thoughts
Roberta Allen, Pretending that an Unknown Number of Lines are Thoughts, 2014, ink on paper, 7.5 in X 6 in.
Pretending these Lines are Unthinkable Thoughts, Disguised as Conflicting Thoughts
Roberta Allen, Pretending these Lines are Unthinkable Thoughts, Disguised as Conflicting Thoughts, 2014, ink on paper, 9 in X 6 in.
Lines as Thoughts Disguising Emptiness
Roberta Allen, Lines as Thoughts Disguising Emptiness, 2014, ink on paper, 8.5 in X 6 in.
Pretending these Lines are Thoughts Responding to Something Unseen
Roberta Allen, Pretending these Lines are Thoughts Responding to Something Unseen, 2014, ink on paper, 9 in X 6 in.
Tamera Bedford, Falling Down, 2018, archival ink on paper, 20.5 in X 24.6 in.
Atmospheric Fade
Tamera Bedford, Atmospheric Fade, 2018, archival ink on paper, 19.7 in X 24 in.
What is to be Built #2
Mildred Beltré, What is to be Built #2, 2012, Ink, Graphite, 10 in X 10 in.
What is to be Built #3
Mildred Beltré, What is to be Built #3, 2011, ink, graphite, marker, 10 in X 10 in.
Presence
Mildred Beltré, Presence, 2017, Walnut ink and digital print, 30 in X 22 in.
Baltic References
Ernst Benkert, Baltic References, 1983, Ink, 30 in X 22.3 in.
No longer available
Bars II
Ernst Benkert, Bars II, 1982, Ink, 30 in X 22.3 in.
Burned Out Churches
Ernst Benkert, Burned Out Churches, 2004, Ink on paper, 17 in X 11 in.
Ernst Benkert, Cross Field, 1984, Ink, 9 in X 12 in.
Ernst Benkert, Melancholy Otto , 1986, ink on paper, 29 in X 23 in.
Mondrian’s Chinese Love Affair 2
Ernst Benkert, Mondrian’s Chinese Love Affair 2, 1984, ink on paper , 30.5 in;30.5 in X 22.5 in;22.5 in.
New Series B #7
Ernst Benkert, New Series B #7, 1995, ink on paper , 26 in X 20 in.
Ernst Benkert, Size Change, 1972, Ink, 30 in X 22 in.
Square Mesh
Ernst Benkert, Square Mesh, 1985, Ink, 30 in X 22 in.
Tomb
Ernst Benkert, Tomb, 1990, Ink, 30 in X 22 in.
Zig Zag 2
Ernst Benkert, Zig Zag 2, 1991, Ink, 30 in X 22 in.
Zig Zag Monalog
Ernst Benkert, Zig Zag Monalog, 1983, Ink, 30 in X 22 in.
Side by Side
Ernst Benkert, Side by Side, 1991, Ink, 30 in X 22 in.
Ernst Benkert, Catch Me if You Can, 1986, Ink, 30 in X 22 in.
New Series B, # 5
Ernst Benkert, New Series B, # 5, 1995, Ink, 25.25 in X 19 in.
Ventspils (Bombsites Series)
Ernst Benkert, Ventspils (Bombsites Series), 1986, Ink, 29 in X 23 in.
New Series B #6
Ernst Benkert, New Series B #6, 1995, ink on paper , 25 in X 19 in.
Untitled
Ernst Benkert, Untitled, 1991, Ink on paper, 30 in X 22 in.
Cross Field No. 1
Ernst Benkert, Cross Field No. 1, 1984, Ink, 9 in X 12 in.
Cross Field No. 2
Ernst Benkert, Cross Field No. 2 , 1984, Ink on paper, 9 in X 12 in.
Cross Field No. 3
Ernst Benkert, Cross Field No. 3, 1984, Ink, 9 in X 12 in.
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