41 flatfile artwork Results

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exhibition:MUSIC AS IMAGE AND METAPHOR

Hannah Israel, the same and other, Etching on paper, 19 in X 24 in, 2019.

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Abby Goldstein, untitled 1, pigment and matte dispersion on paper, 22 in X 30 in, 2019.

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Viviane Rombaldi Seppey, Singing Letters, hand crank music boxes and notated paper / installation with participatory input from the public. "Singing Letters" is a collaboration with musician Benjamin Velez, who translated Viviane's drawing based on the alphabet into musical notation. Each score, referencing one letter of the alphabet, is transcribed on musical paper to be played on the music box , 2.75 in X 14 in, 2019.

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Viviane Rombaldi Seppey, Cacophony, ink on paper, 30 in X 23 in, 2019.

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Jaanika Peerna, Drooplines, graphite and colored pencil on Mylar, 24 in X 6 in, 2016.

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Scott Pfaffman, Note, gouache , 10 in X 8 in, 2016.

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Keiko Hara, Topophilia Ma and Ki - Memory, Mokuhanga, stencil and collage on washi scroll (2 sides), 72 in X 24 in, 2016.

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Keiko Hara, Topophilia Ma and Ki - Memory, Mokuhanga, stencil and collage on washi scroll (2 sides), 72 in X 24 in, 2016.

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Keiko Hara, Topophilia Ma and Ki - Memory, Mokuhanga, stencil and collage on washi scroll (2 sides), 72 in X 24 in, 2016.

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Margaret Neill, Respite 3 (Black & White), India ink on paper, 15 in X 15 in, 2013.

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Margaret Neill, Respite 1 (Black & White), India ink on paper, 15 in X 15 in, 2013.

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Ralph Kiggell, Progression, water-based woodblock print (mokuhanga) on handmade Japanese paper (washi), Edition: 4/10, 5.9 in X 17.7 in, 2011.

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Takuji Hamanaka, Repeat After Me - Morning Column, mokuhanga collage on museum board, 29 in X 24 in, 2011.

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Robert Lansden, Echo, graphite on paper, 22 in X 22 in, 2008.

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Orlando Richards, Music Man, Digital photo print, 29.5 in X 21 in, 2008.

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Rosalinda Kolb, Exile Series #11, Colored pencil on paper, 19 3/8 in X 26.5 in, 2007.

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Jim Napierala, Harmonic, mixed media on veneer, 14.5 in X 12.75 in, 2007.

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Florence Neal, Trio II, Lithograph, Edition: 1/1, 8.3 in X 8.25 in, 2006.

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robin holder, Five Spot 2, stencil monotype, 22 in X 30 in , 2005.

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Hugh Williams, Gospel Singer #2, Charcoal on paper, 40 in X 26.5 in, 2005.

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Molly Snyder-Fink, Pianoman, Charcoal on paper, 14 in X 17 in, 2005.

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Richard Howe, 030211/2, Graphite on paper, 15 in X 22 in, 2003.

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Kazuhiro Nishijima , Untitled, syu (japanese vermilion ink) and sumi (japanese carbon black ink) on Japanese cotton, 11.25 in X 14.25 in, 2002.

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Phillip Chen, Acoustic Shadow, Relief etching, 31 in X 23 in, 2002.

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Richard Howe, 010721/6, Graphite on paper, 15 in X 22 in, 2001.

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Gahae Park, Music Drawing, Cut paper, 14 in X 14 in, 2001.

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Gahae Park, Music Drawing in Blue, Ink on paper and cut paper, 14 in X 14 in, 2001.

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Gahae Park, Music Drawing in Blue, Ink on cut paper, 13.5 in X 16.5 in, 2001.

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Beth Caspar, Dancing with D’Arcy Thompson, Linocut, ed. 4/10, (series of 4) , 24 in X 26.25 in, 2000.

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Beth Caspar, Dancing with D’Arcy Thompson , Linocut, ed. 4/10, (series of 4) , 24 in X 26.25 in, 2000.

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Beth Caspar, Dancing with D’Arcy Thompson , Linocut, ed. 4/10, (series of 4), 24 in X 26.25 in, 2000.

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Beth Caspar, Dancing with D’Arcy Thompson , Linocut, ed. 4/10, (series of 4), 24 in X 26.25 in, 2000.

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Mary Judge, Automatic Writing Series no. 16, powdered pigment on 100% rag paper, 10 in X 7 in, 1999.

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Mary Judge, Automatic Writing Series no. 17, powdered pigment on 100% rag paper, 10 in X 7 in, 1999.

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Morgan O’Hara, Live Transmission: Movement of musicians & technicians striking the set of RAINFOREST 4/ Clark Theatre at Lincoln Center / New York City / 20 July 1998, Graphite on paper, 13.75 in X 17 in, 1998.

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Susan Schwalb, Strata #230, Metalpoint, 9 in X 9 in, 1998.

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