589 flatfile artwork Results

Category:
As They Settle (Benshaanand)
Golnar Adili, As They Settle (Benshaanand), 2015, Silkscreen on 4 sheets of tissue paper, 25 in X 36 in.
As They Quarrel (Bestizand)
Golnar Adili, As They Quarrel (Bestizand), 2015, Silkscreen on 2 sheets of tissue paper, 25 in X 36 in.
They Are Bound (Barbandond)
Golnar Adili, They Are Bound (Barbandond), 2015, Silkscreen on 2 sheets of tissue paper, 25 in X 36 in.
She Feels Your Absence Deeply
Golnar Adili, She Feels Your Absence Deeply, 2015, Silkscreen on 5 sheets of tissue paper, 36 in X 25 in.
Portrait, Young Woman
Tomie Arai, Portrait, Young Woman, 1999, Litho, 21 in X 30 in.
Messenger
Tomie Arai, Messenger , 2011, Silkscreen, A/P, 17.25 in X 14.75 in.
After the War
Tomie Arai, After the War, 2009, Solar plate etching on Rives BFK, ed. 4/6, 22.5 in X 8.125 in.
Dreamer
Tomie Arai, Dreamer, 2008, solar plate etching, 13.5 in X 7in.
Berlin
Ann Aspinwall, Berlin, 2009, Open-bit etching and aquatint, Edition of 20, 9" X 7".
Roma
Ann Aspinwall, Roma, 2009, Open-bite etching and spit-bite aquatint, Edition of 20, 9" X 7".
Common Ground II
Ann Aspinwall, Common Ground II, 2004, Collagraph, Edition of 14, 17 3/4" X 15 1/2".
Münster (III)
Ann Aspinwall, Münster (III), 2009, Open-bite etching and collagraph, Edition of 18, 30" X 39".
Roma II
Ann Aspinwall, Roma II, 2012, Collagraph, Edition of 18, 20" X 15".
Cynthia Back, Full Circle, 2004, Aquatint and spit bite, 12 in X 28 in.
Encroachment
Cynthia Back, Encroachment, 2011, Reduction woodcut, aquatint, chine colle, 8 in X 22 in.
Walls Come Tumbling
Cynthia Back, Walls Come Tumbling, 2012, Woodcut, linocut, chine colle, 22 in X 12 in.
Las 99 Semillas: Los Immigrantes
Cynthia Back, Las 99 Semillas: Los Immigrantes , 2012, reduction linocut, aquatint, chine colle, 12 in X 18 in.
Walls Come Tumbling #2
Cynthia Back, Walls Come Tumbling #2, 2013, woodcut, reduction linocut, chine colle, 22 in X 12 in.
Walls Come Tumbling #3
Cynthia Back, Walls Come Tumbling #3, 2013, woodcut, reduction linocut, chine colle, 22 in X 12 in.
Mycorrhizae
Cameron Bailey, Mycorrhizae, 2020, Reduction mokuhanga, 18" X 23".
Terra Fragilis
Cameron Bailey, Terra Fragilis, 2021, Reduction mokuhanga, 13" X 18".
A Brisk Morning
Cameron Bailey, A Brisk Morning, 2019, Mokuhanga, 13" X 15".
The Dream
Cameron Bailey, The Dream, 2021, Reduction mokuhanga, 20" X 11".
Adaptation
Cameron Bailey, Adaptation, 2021, Reduction mokuhanga, 12" X 23".
Morning Garden (Light)
Katie Baldwin, Morning Garden (Light), Mokuhanga ed. 3/3, 9.75" X 11.75".
What is to be Built #5
Mildred Beltré, What is to be Built #5, 2011, Silkscreen & ink, 8 in X 8 in.
What is to be Built #6
Mildred Beltré, What is to be Built #6, 2011, Silkscreen & ink, 8 in X 8 in.
What is to be Built #7
Mildred Beltré, What is to be Built #7, 2013, Silkscreen, 6 in X 6 in.
Uhone
Brendt Berger, Uhone, 1996, Roller print, AP, 10.75 in X 11 in.
Untitled
Emily Berger, Untitled, 2012, etching, ed. 2/5, 6 in X 5 in.
Brendt Berger, Untitled, 1997, linocut, 15 in X 16 in.
Eclipse
Annie Bissett, Eclipse, 2017, mokuhanga, 14.5" X 18.5".
Vigil 2
Annie Bissett, Vigil 2, 2017, mokuhanga, 14.5" X 18.5".
Swimming with Ghosts, The Blue Hole
Mariella Bisson, Swimming with Ghosts, The Blue Hole, 2017, Ghost print with colored pencil, graphite, watercolor, gouache, 19.5 in X 23.75 in.
Animal Ark (Black and Mint on Red)
Noah Breuer, Animal Ark (Black and Mint on Red), 2018, woodcut, 22.5" X 16".
Animal Ark (Blue and Red)
Noah Breuer, Animal Ark (Blue and Red), 2018, woodcut, 22.5" X 16".
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