698 flatfile artwork Results

Category:
Laurel Shute, Zoar, 1997, Cyanotype, X .
Richard Mock, Yikies, 2002, linoleum block print, 5/80, 17" X 21".
Yellow Black Diamond
Glendalys Medina, Yellow Black Diamond, 2016, relief chine collé, ed. 2/5, 9" X 9".
Wood to Water: White Ash
Florence Neal, Wood to Water: White Ash, 2022, Water-based Woodcut (mokuhanga) on handmade Japanese washi paper (natural), ed. 1/1 (unique print), 15 7/8" X 31.75".
No longer available
Wood to Water: White Ash
Florence Neal, Wood to Water: White Ash, 2022, Water-based Woodcut (mokuhanga) on handmade Japanese paper (washi), edition: 6/6, 15 7/8" X X 31.75".
No longer available
Ayumi Ohira, Woods, 2015, mokuhanga, 5.75 in X 5.75 in.
Woodland
Ralph Kiggell, Woodland, 2011, Mokuhanga, 30 cm X X 45 cm.
Winter Sign III
Karen Helga Maurstig, Winter Sign III, 2012, mokuhanga, Japanese Woodcut, 37.25 in X 25 in.
Winter Morning
Karen Helga Maurstig, Winter Morning, 2010, mokuhanga, Japanese woodblock, edition: 2/25, 19.5 in X 14 in.
No longer available
Jay Zieger, Windmill Series IV, 1981, linocut, AP, 10.25 in X 10.25 in.
Jay Zieger, Windmill Series II, 1981, linocut, AP, 10.25 in X 10.25 in.
Wind Lobster
robin holder, Wind Lobster, Archival pigment imaging, stencil printing with foil stamp printing, 8 in X 11 in.
No longer available
Ralph Kiggell, White Garden, Mokuhanga (water-based woodcut) edition: 10/10, 35.4" X 23.6".
White Flower (Dok Khae)
Ralph Kiggell, White Flower (Dok Khae), 2017, Mokuhanga (water-based woodcut), edition: 7/35, 25" X 19 7/8".
Whereof one cannot speak, thereof one must be silent
Katsutoshi Yuasa, Whereof one cannot speak, thereof one must be silent, 2014, woodcut, 26 in X 20 in.
No longer available
What is to be Built #7
Mildred Beltré, What is to be Built #7, 2013, Silkscreen, 6 in X 6 in.
What is to be Built #6
Mildred Beltré, What is to be Built #6, 2011, Silkscreen & ink, 8 in X 8 in.
What is to be Built #5
Mildred Beltré, What is to be Built #5, 2011, Silkscreen & ink, 8 in X 8 in.
What Goes Around Comes Around [D and E series: 6 in each; F series 1, 2, 4,6]
Beth Caspar, What Goes Around Comes Around [D and E series: 6 in each; F series 1, 2, 4,6], 2001, Linocut, 16 in X 16 in.
Karni Dorell, Wave, 2005, Black and white photo print, 32.5 in X 18 in.
Water Water
Florence Neal, Water Water, 2016, Mokuhanga on washi, ed. 2/5, 11 in X 15 in.
Ralph Kiggell, Water Towers, Mokuhanga, edition 6/16, 7 3/4" X 7 3/4".
Hidehiko Gotou, Water Ceremony, 1993, Mokuhanga (Japanese water-based woodcut), edition: 6/30, X .
Wand (small version)
April Vollmer, Wand (small version), 2008, on mino washi, 11.5" X 16".
Walls Come Tumbling #3
Cynthia Back, Walls Come Tumbling #3, 2013, woodcut, reduction linocut, chine colle, 22 in X 12 in.
Walls Come Tumbling #2
Cynthia Back, Walls Come Tumbling #2, 2013, woodcut, reduction linocut, chine colle, 22 in X 12 in.
Walls Come Tumbling
Cynthia Back, Walls Come Tumbling, 2012, Woodcut, linocut, chine colle, 22 in X 12 in.
Vorkuta
Simon Lewandowski, Vorkuta, 1994, Woodcut, 73 in X 73 in.
robin holder, Vocals 2, 2009, stencil monotype, 22" X 14.5".
No longer available
Vigil 2
Annie Bissett, Vigil 2, 2017, mokuhanga, 14.5" X 18.5".
Martha Hayden, View East, 2006, etching, aquatint, 12 in X 18 in.
Keiko Hara, Verse - Wind, 1999, Ukiyo-e woodblock and stencil print, Ed. 14/20, Collaboration, printed with Tadashi Toda in Kyoto, Japan, 15 in X 20 in.
Verse - Sukumu 3
Keiko Hara, Verse - Sukumu 3, 2011, Monoprint, 15 in X 22 in.
Verse - Sukumu 2
Keiko Hara, Verse - Sukumu 2, 2011, Monoprint, 22 in X 15 in.
Verse - Sukumu 1
Keiko Hara, Verse - Sukumu 1, 2011, Monoprint, 22 in X 15 in.
Verse R - BW
Keiko Hara, Verse R - BW, 2017, mokuhanga, 6/25, 12.5 in X 11 in.
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