2401 flatfile artwork Results

Jay Zieger, Windmill Series II, 1981, linocut, AP, 10.25 in X 10.25 in.
Jay Zieger, Windmill Series IV, 1981, linocut, AP, 10.25 in X 10.25 in.
Jay Zieger, Blue, Green and Red Motorcycle with Blue Background, 1979, linocut, AP, 10 in X 12 in.
Jay Zieger, Blue, Green and Yellow Motorcycle with Red Background, 1980, linocut, AP, 10 in X 12 in.
Jay Zieger, Blue Bicycle on Red Background, 1981, linocut, AP, 10 in X 12 in.
Jay Zieger, Untitled (Bull on Blue Background), linocut, AP, 10 in X 12 in.
Jay Zieger, Untitled (Bull on Orange Background), linocut, AP, 10 in X 12 in.
Jay Zieger, Untitled (Red Bicycle), linocut, AP, 10 in X 12 in.
Imaginary Bark
Emna Zghal, Imaginary Bark, 2004, ink and watercolor, 10 in X 14 in.
Emna Zghal, The Tree Of My Mind, 2006, Artist's Book, Edition: 37/42, 9 in X 12 in.
Martin Zet, Sea Drawing, May 27, 2005 – December 31, 2006, Ink and sea water on paper, 34 in X 36 in.
Sea Drawing: New York Harbor
Martin Zet, Sea Drawing: New York Harbor, 1999, Ink and sea water on paper, 60 in X 178 in.
Martin Zet, Sea Drawing: 3 Rivers, 1999, Ink, 59 in X 68 in.
Untitled (Rain)
Martin Zet, Untitled (Rain), 1999, Ink and rainwater on paper, 26 in X 40 in.
Martin Zet, Untitled (Waves), 1999, ink on paper, 27.5 in X 39.5 in.
Martin Zet, Sea Drawing, May 27, 2005 – December 31, 2006, Ink and sea water on paper, X .
Martin Zet, Sea Drawing: York Harbor #828, 1999, Ink and waves on paper, 59 in X 94.5 in.
NY Harbor 31.3.1999
Martin Zet, NY Harbor 31.3.1999 , 1999, Ink on paper, 24" X 35".
Sea Drawing: Atlantic/Pacific
Martin Zet, Sea Drawing: Atlantic/Pacific, 2006, Ink and sea waves on paper, 26" X 35.5".
Whereof one cannot speak, thereof one must be silent
Katsutoshi Yuasa, Whereof one cannot speak, thereof one must be silent, 2014, woodcut, 26 in X 20 in.
Katsutoshi Yuasa, Tristes Tropiques #1, 2015, woodcut, 31.5 in X 31.5 in.
Katsutoshi Yuasa, Tristes Tropiques #2, 2015, woodcut, 80 cm X 80 cm.
Geoffrey Young, Ulysses , 2017, colored pencil on paper, 8.5 in X 10.5 in.
Absolutely Sweet Marie
Geoffrey Young, Absolutely Sweet Marie, 2017, colored pencil on paper, 8.5 in X 11 in.
To the Lifeboats
Geoffrey Young, To the Lifeboats, 2017, colored pencil on paper, 8.75 in X 11.5 in.
Geoffrey Young, Untitled, 2017, colored pencil on paper, 10.5 in X 8.5 in.
Geoffrey Young, Red Cross, 2017, colored pencil on paper, 10.5 in X 8.5 in.
Barbara Yoshida, Rocks and Grasses Royale National Park, 1999-1, 1999 – 2000, photogravure , 10.25 in X 13.8125 in.
Barbara Yoshida, Eagle Skeleton on Wet Rocks, Isle Royale National Park, 1999, 1999 – 2000, photogravure , 12.625 in X 10.8125 in.
Barbara Yoshida, Alignments du Mouliin-Moonlight, St. Just, France, 2004, photogravure , 23 in X 18.25 in.
Barbara Yoshida, Brodgar Stones-Moonlight, Orkney, Scotland, 2003 – 2004, photogravure , 23 in X 18.25 in.
Jennifer Wood, Earth Motion II, 2013, Intaglio, 22 in X 22 in.
Jennifer Wood, Earth Motion III, 2013, Intaglio, 22 in X 22 in.
Jennifer Wood, Earth Motion IV, 2013, Intaglio, 22 in X 22 in.
Jennifer Wood, Earth Motion V, 2013, Intaglio, 22 in X 22 in.
Gosia Wlodarczak, South Wall #1, January 1 – 5, 2004, Pigment, marker on paper, 19.5 in X 27.5 in.
Next 36