2270 flatfile artwork Results

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Glendalys Medina, Blue Black Double Circle, relief chine collé, ed. 2/5, 11" X 15", 2016.

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Glendalys Medina, Color Study #1, Color Pencil & ink on paper, 12" X 9", 2014.

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Glendalys Medina, Color Study #4, color pencil & ink on paper, 12" X 9", 2014.

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Nancy Manter, Cut Out #3, Charcoal and acrylic on paper, 16" X 12", 2015.

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Cut Out #3 [Duplicate], Charcoal and acrylic on paper, 16" X 12", 2015.

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Glendalys Medina, Deconstructed Black Square, aquatint etching, ed. 3/3, 11" X 8", 2016.

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Glendalys Medina, Marks, Chine Collé etching aquatint, ed. 3/8, 11" X 6.3", 2016.

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Glendalys Medina, Red Black Square, relief chine collé, ed. 3/5, 11" X 15", 2016.

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Ralph Kiggell, Silent Garden, Mokuhanga on Tosa kozo (water-based woodcut) edition: 4/16, 35.4" X 23.6", 1999.

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Verse Ma and Ki: Memory, Mokuhanga (water-based woodcut) AP Image 12.5 x 18", 27" X 17", 2017.

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Ralph Kiggell, White Flower (Dok Khae), Mokuhanga (water-based woodcut), edition: 7/35, 25" X 19 7/8",

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Ralph Kiggell, White Garden, Mokuhanga (water-based woodcut) edition: 10/10, 35.4" X 23.6",

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Glendalys Medina, Yellow Black Diamond, relief chine collé, ed. 2/5, 9" X 9", 2016.

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Golnar Adili, As They Quarrel (Bestizand), Silkscreen on 2 sheets of tissue paper, 25 in X 36 in, 2015.

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Golnar Adili, They Are Bound (Barbandond), Silkscreen on 2 sheets of tissue paper, 25 in X 36 in, 2015.

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Golnar Adili, She Feels Your Absence Deeply, Silkscreen on 5 sheets of tissue paper, 25 in X 36 in, 2015.

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Golnar Adili, As They Settle (Benshaanand), Silkscreen on 4 sheets of tissue paper, 25 in X 36 in, 2015.

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Golnar Adili, Benshinand-Benshaanand (as They Sit, They Settle), silkscreen on 4 layers of tissue, 24" X 36",

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Nathalie Albaledejo, Filet dans les Arbres 1, ink and walnut stain on photo paper, 8 " X 11.5",

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Nathalie Albaledejo, Filet dans les Arbres 2, ink and walnut stain on photo paper, 21 in X 29.7 in,

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Jane Ingram Allen, Red Hook Site Map - Earth View, Collage and painting on handmade paper with materials collected from the site, 48 in X 52 in, 2003.

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Jane Ingram Allen, Red Hook Site Map I, Collage and painting on handmade paper with materials collected from the site, 74 in X 60 in, 2003.

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Roberta Allen, Pretending That These are Negative Thoughts, ink on paper, 9 in X 6 in, 2014.

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Roberta Allen, Pretending These Lines are Thoughts Acted upon by the World, ink on paper, 9 in X 6 in, 2014.

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Roberta Allen, Pretending That Only the Red Lines are Thoughts, ink on paper, 9 in X 6 in, 2014.

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Roberta Allen, Lines as Thoughts in Conflicts II, ink on paper, 9 in X 6 in, 2014.

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Roberta Allen, Pretending that an Unknown Number of Lines are Thoughts, ink on paper, 7.5 in X 6 in, 2014.

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Roberta Allen, Pretending these Lines are Unthinkable Thoughts, Disguised as Conflicting Thoughts, ink on paper, 9 in X 6 in, 2014.

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Roberta Allen, Lines as Thoughts Disguising Emptiness, ink on paper, 8.5 in X 6 in, 2014.

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Roberta Allen, Pretending these Lines are Thoughts Responding to Something Unseen, ink on paper, 9 in X 6 in, 2014.

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David Ambrose, Nocturnal Revelations , watercolor and gouache on pierced paper , 18 in X 12 in, 2012 – 2015.

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David Ambrose, The Dust of Anguish, Watercolor/gouache, 16 in X 12 in, 2008.

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David Ambrose, German Engineering, ink and gouache on pricked paper, coated in graphite, 24 in X 18 in, 2011.

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David Ambrose, Architectural Fragments with Lace Entanglements, Watercolor, 30 in X 22 in, 2003.

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David Ambrose, The Tyler Rose, Watercolor/gouache, 11 in X 8.5 in, 2009.

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David Ambrose, Dust Storm Invasion, Watercolor / gouache, 23.5 in X 18 in, 2009.

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