22 flatfile artwork Results

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Path to Jimez Falls, N.M.
Mariella Bisson, Path to Jimez Falls, N.M., 2001, Watercolor/Gouache, 14 in X 11 in.
Fawn’s Leap
Mariella Bisson, Fawn’s Leap, 2004, Litho, 8 in X 6 in.
No longer available
Airplane Series
Drew Curtis, Airplane Series, 2003, Ink, 12 in X 9.5 in.
Airplane Series
Drew Curtis, Airplane Series, 2003, Mixed media, 12 in X 9.5in.
Airplane Series
Drew Curtis, Airplane Series , 2003, Ink, 12 in X 9.5 in.
Porbeagle Poor Boy
Aaron Drew, Porbeagle Poor Boy, 2010, Woodcut, X .
Richard Mock, Enron Employee Severance , 2002, Linocut, edition: 5/80, 18 in X 20 in.
Richard Mock, Gentrification Slug, 2003, Linocut, edition: 12/80, 18 in X 20 in.
Richard Mock, Japanese Woman Fights Industrial Pollution, 1999, Linocut, edition: 1/50, 20 in X 18 in.
Big Apple
Richard Mock, Big Apple, 1990, Linocut, edition: 2/20, 17 in X 17 in.
Richard Mock, Balancing Act, Linoleum block print, 19 in X 16 in.
Alaskan Wildlife
Richard Mock, Alaskan Wildlife, 2001, Linoleum block print, edition: 4/100, 14 in X 18 1/8 in.
Richard Mock, Refugee, 1994, Linoleum block print, Edition: 2/50, 21 in X 17 1/8 in.
The Butterfly Trap
Richard Mock, The Butterfly Trap, 1979, linoleum block print, ed. 15/35, 4 in X 5 in.
NY Times Op Ed, Article #24
Richard Mock, NY Times Op Ed, Article #24, 1993, linoleum block print, Edition: AP, 14 in X 18 in.
Medicine's Threatened
Richard Mock, Medicine's Threatened, 1980, linoleum block print, AP, 13 in X 15 in.
Basin and Range
Margaret Neill, Basin and Range, 2015, graphite on paper, 23 in X 22 in.
Climate Crisis: Toxic Water
Susan Newmark, Climate Crisis: Toxic Water, 2022, collage woven on a loom, acrylic, thread, wood dowels, 10" X 7.5".
Tina Olsen, #3 Red Hook Sugar Factory, 2002, Ink on paper, 3 in X 10.5 in.
Susan Rowland, Moss, 2006, Monoprint, 15 in X 11 in.
Shelby Shadwell, UNTITLED 9, 2009, charcoal on paper, 30" X 20".
Shelby Shadwell, UNTITLED, 2023, charcoal on paper, 30" X 20".
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