39 flatfile artwork Results

exhibition: Category:
Pretending That Only the Red Lines are Thoughts
Roberta Allen, Pretending That Only the Red Lines are Thoughts, 2014, ink on paper, 9 in X 6 in.
Lines as Thoughts Disguising Emptiness
Roberta Allen, Lines as Thoughts Disguising Emptiness, 2014, ink on paper, 8.5 in X 6 in.
German Engineering
David Ambrose, German Engineering, 2011, ink and gouache on pricked paper, coated in graphite, 24 in X 18 in.
Untitled 2
Katherine Beck, Untitled 2, 2009, Graphite, 16 in X 24 in.
Presence
Mildred Beltré, Presence, 2017, Walnut ink and digital print, 30 in X 22 in.
Mondrian’s Chinese Love Affair 2
Ernst Benkert, Mondrian’s Chinese Love Affair 2, 1984, ink on paper , 30.5 in;30.5 in X 22.5 in;22.5 in.
Burned Out Churches
Ernst Benkert, Burned Out Churches , 2004, Ink on paper, 17 in X 11 in.
Untitled
Emily Berger, Untitled, 2011, Ink on paper, 30 in X 22 in.
Blue Bird, Pink Rings
Stephanie Brody-Lederman, Blue Bird, Pink Rings, 2006, Acrylic on paper, 14 in X 11 in.
Links lll “All”
Herbert Brün, Links lll “All”, April 19, 1973, Computer graphic, 23.5 in X 35.5 in.
Grace DeGennaro, Geometry 18, 2014, watercolor on Somerset, 30 in X 22 in.
0% APR
Elizabeth Duffy, 0% APR, 2005, graphite on collaged envelope, 9.5 in X 15.75 in.
Judith Egger, Structure III, November 12, 2004, Graphite, 9.5 in X 12 in.
Untitled (Shaking Head)
Paul Goss, Untitled (Shaking Head), 2010, graphite, 9 in X 8 in.
No longer available
Paul Goss, Untitled (Woman’s Head), 2012, Graphite on paper, 9 in X 13 in.
No longer available
Aggregates #39
Nene Humphrey, Aggregates #39, 2001, Mixed media, 11 in X 15 in.
Hannah Israel, Me, 2015, Watercolor, cut paper, 28 in X 20 in.
Mary Judge, Untitled Splovero Drawing, Concentric Shape Series #101, 2001, Charcoal, 10 in X 7 in.
Water
Tamiko Kawata, Water, 2009, Charcoal, 10 in X 10 in.
Wall
Tamiko Kawata, Wall, 2009, Charcoal, 10 in X 10 in.
Untitled
Fabio Leao, Untitled, 2014, Monotype and acrylic on paper, 26 in X 19.75 in.
Morse Code Message to the Pacific Ocean
Peter Matthews, Morse Code Message to the Pacific Ocean, 2009, Pen, water from Pacific Ocean, rust, 13 in X 39.5 in.
Thalia
Jim Napierala, Thalia, 2010, Ink on panel, 20 in X 15.75 in.
See-Clamp
Florence Neal, See-Clamp, 1978, Oil stick on paper, 22" X 16".
The Trees: Evergreen, Vermont
Florence Neal, The Trees: Evergreen, Vermont , 2013, Found charcoal rubbing on paper, 35 in X 23 in.
Janell O’Rourke, M Train 7, 2007, Charcoal, 22.5 in X 30 in.
View #3
Yuko Otomo, View #3, 2006, Graphite Drawing, 10 in X 13 in.
Scott Pfaffman, Farmer, 2016, gouache , 12 in X 9 in.
Untitled
Scott Pfaffman, Untitled, 1989, ink on paper, 44 in X 30 in.
Carol Prusa, Unrepresentable, 2013, Silverpoint and graphite on half dome, 14 in X 14 in.
Sherae Rimpsey, Syrinx Project, Rubbing #7 , 2008, Powdered graphite and pulverized Minneola peel on papyrus, 9.5 in X 13 in.
Sherae Rimpsey, Syrinx Project, Rubbing #8, 2008, Powdered graphite and pulverized Minneola peel on papyrus, 9 in X 12.5 in.
No Title
Mimmo Roselli, No Title, 2016, watercolor and cuts on paper, 6 in X 9 in.
Doris Schlaepfer, Piazza de Ferrari, 2017, pencil on paper, 6 in X 8.25 in.
Doris Schlaepfer, Piazza de Ferrari, Teatro Carlo Felice, Monumento Garibaldi, 2017, pencil on paper, 6 in X 8.25 in.
Doris Schlaepfer, Palazzo Ducale, People on Stairs, 2017, pencil on paper, 6 in X 8.25 in.
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