119 flatfile artwork Results

Tags:
Love Beyond Reason
April Vollmer, Love Beyond Reason, 2017, Woodcut, 15" X 11".
Cranefly Rotation Wallpaper 1
April Vollmer, Cranefly Rotation Wallpaper 1, 2016, mokuhanga on mura koban washi, laser and hand cut blocks, 21" X 17".
Cranefly Rotation Wallpaper ll
April Vollmer, Cranefly Rotation Wallpaper ll, 2016, mokuhanga on mura koban washi, laser and hand cut blocks, 21" X 17".
Fernfield 2
April Vollmer, Fernfield 2, 2006, Woodcut, 15.5" X 15.5".
Wand (small version)
April Vollmer, Wand (small version), 2008, on mino washi, 11.5" X 16".
Delirious Birds and Bees
April Vollmer, Delirious Birds and Bees, 2007, Mokuhanga, ed. 6/16, 26 in X 26 in.
Shelby Shadwell, UNTITLED 9, 2009, charcoal on paper, 30" X 20".
Shelby Shadwell, UNTITLED, 2023, charcoal on paper, 30" X 20".
April Day (YlnMn), edition: 2/4
Lucy May Schofield, April Day (YlnMn), edition: 2/4, 2022, Mokuhanga and hand coloring , 8 1/2" X 11".
No longer available
Susan Rowland, Petasites, 2006, Monoprint, 30 in X 22 in.
Cat Briar
Susan Rowland, Cat Briar, 2006, Monoprint, 30 in X 22 in.
Susan Rowland, Dandylion, 2006, Monoprint, 30 in X 22 in.
Susan Rowland, Moss, 2006, Monoprint, 15 in X 11 in.
Susan Rowland, Ice, 2005, Monoprint, 22 in X 15 in.
Tina Olsen, #3 Red Hook Sugar Factory, 2002, Ink on paper, 3 in X 10.5 in.
Irises, after Hokusai
Natasha Norman, Irises, after Hokusai, 2017, Mokuhanga, ed. 16/22, 8.7" X 7.9".
No longer available
Climate Crisis: Toxic Water
Susan Newmark, Climate Crisis: Toxic Water, 2022, collage woven on a loom, acrylic, thread, wood dowels, 10" X 7.5".
Climate Crisis: Northern Ice Melt
Susan Newmark, Climate Crisis: Northern Ice Melt, 2022, collage woven on a loom, acrylic, thread, wood dowels, X .
Basin and Range
Margaret Neill, Basin and Range, 2015, graphite on paper, 23 in X 22 in.
Wood to Water: White Ash
Florence Neal, Wood to Water: White Ash, 2022, Water-based Woodcut (mokuhanga) on handmade Japanese washi paper (natural), ed. 1/1 (unique print), 15 7/8" X 31.75".
No longer available
Wood to Water: White Ash
Florence Neal, Wood to Water: White Ash, 2022, Water-based Woodcut (mokuhanga) on handmade Japanese paper (washi), edition: 6/6, 15 7/8" X X 31.75".
No longer available
Florence Neal, Pear Tree II, 2020, mokuhanga (waterbased woodcut), sumi & water-based pigment on washi (Japanese kozo paper), edition: 1/6, 15" X X 11".
Linden Falls
Terry McKenna, Linden Falls, 2021, mokuhanga, ed. 6/10, 36.5" X 19.5".
Terry McKenna, Sengataki Wood, 2021, mokuhanga, ed. 3/10, 11.75" X 16.5".
Lines in Ice
Karen Helga Maurstig, Lines in Ice, 2010, mokuhanga, Japanese woodcut, 20 in X 14 in.
Lines in Ice, Variation I
Karen Helga Maurstig, Lines in Ice, Variation I, 2010, mokuhanga, Japanese woodcut, 20 in X 14 in.
Traces in Ice II
Karen Helga Maurstig, Traces in Ice II, 2010, mokuhanga, Japanese woodcut, 4 in X 4 in.
Traces in Ice III
Karen Helga Maurstig, Traces in Ice III, 2010, mokuhanga, Japanese woodcut, 4 in X 4 in.
Traces in Ice V
Karen Helga Maurstig, Traces in Ice V, 2010, mokuhanga, Japanese woodcut, 4 in X 4 in.
No longer available
Winter Sign III
Karen Helga Maurstig, Winter Sign III, 2012, mokuhanga, Japanese Woodcut, 37.25 in X 25 in.
About Wearing a Good Nest
Sascha Mallon, About Wearing a Good Nest, 2018, ink and watercolor on paper, 20 in X 30 in.
Sascha Mallon, Floating, 2015, ink, watercolor on paper, 20 in X 30 in.
Sascha Mallon, Room Without Window, 2016, ink, watercolor on paper, 20 in X 30 in.
Sascha Mallon, Time Outside of Oneself, 2018, ink, watercolor on paper, crochet border, 30 in X 20 in.
Sascha Mallon, Inversion of a Delicate Song, 2018, ink, watercolor on paper, crochet border, 20 in X 30 in.
Sascha Mallon, The Opposite of Gravity, 2015, ink, watercolor on paper, 20 in X 30 in.
Next 36

Filter by

flatfile artist

Category

Medium

Tags

exhibition