130 flatfile artwork Results

Tags:
Love Beyond Reason
April Vollmer, Love Beyond Reason, 2017, Woodcut, 15" X 11".
Cranefly Rotation Wallpaper 1
April Vollmer, Cranefly Rotation Wallpaper 1, 2016, mokuhanga on mura koban washi, laser and hand cut blocks, 21" X 17".
Cranefly Rotation Wallpaper ll
April Vollmer, Cranefly Rotation Wallpaper ll, 2016, mokuhanga on mura koban washi, laser and hand cut blocks, 21" X 17".
Fernfield 2
April Vollmer, Fernfield 2, 2006, Woodcut, 15.5" X 15.5".
Wand (small version)
April Vollmer, Wand (small version), 2008, on mino washi, 11.5" X 16".
Delirious Birds and Bees
April Vollmer, Delirious Birds and Bees, 2007, Mokuhanga, ed. 6/16, 26 in X 26 in.
Shelby Shadwell, UNTITLED 9, 2009, charcoal on paper, 30" X 20".
Shelby Shadwell, UNTITLED, 2023, charcoal on paper, 30" X 20".
April Day (YlnMn), edition: 2/4
Lucy May Schofield, April Day (YlnMn), edition: 2/4, 2022, Mokuhanga and hand coloring , 8 1/2" X 11".
No longer available
Susan Rowland, Petasites, 2006, Monoprint, 30 in X 22 in.
Cat Briar
Susan Rowland, Cat Briar, 2006, Monoprint, 30 in X 22 in.
Susan Rowland, Dandylion, 2006, Monoprint, 30 in X 22 in.
Susan Rowland, Moss, 2006, Monoprint, 15 in X 11 in.
Susan Rowland, Ice, 2005, Monoprint, 22 in X 15 in.
Tina Olsen, #3 Red Hook Sugar Factory, 2002, Ink on paper, 3 in X 10.5 in.
Irises, after Hokusai
Natasha Norman, Irises, after Hokusai, 2017, Mokuhanga, ed. 16/22, 8.7" X 7.9".
No longer available
Climate Crisis: Toxic Water
Susan Newmark, Climate Crisis: Toxic Water, 2022, collage woven on a loom, acrylic, thread, wood dowels, 10" X 7.5".
Climate Crisis: Northern Ice Melt
Susan Newmark, Climate Crisis: Northern Ice Melt, 2022, collage woven on a loom, acrylic, thread, wood dowels, X .
Basin and Range
Margaret Neill, Basin and Range, 2015, graphite on paper, 23 in X 22 in.
Wood to Water: White Ash
Florence Neal, Wood to Water: White Ash, 2022, Water-based Woodcut (mokuhanga) on handmade Japanese washi paper (natural), ed. 1/1 (unique print), 15 7/8" X 31.75".
No longer available
Wood to Water: White Ash
Florence Neal, Wood to Water: White Ash, 2022, Water-based Woodcut (mokuhanga) on handmade Japanese paper (washi), edition: 6/6, 15 7/8" X X 31.75".
No longer available
Florence Neal, Pear Tree II, 2020, mokuhanga (waterbased woodcut), sumi & water-based pigment on washi (Japanese kozo paper), edition: 1/6, 15" X X 11".
Richard Mock, Enron Employee Severance , 2002, Linocut, edition: 5/80, 18 in X 20 in.
Richard Mock, Gentrification Slug, 2003, Linocut, edition: 12/80, 18 in X 20 in.
Richard Mock, Japanese Woman Fights Industrial Pollution, 1999, Linocut, edition: 1/50, 20 in X 18 in.
Big Apple
Richard Mock, Big Apple, 1990, Linocut, edition: 2/20, 17 in X 17 in.
Richard Mock, Balancing Act, Linoleum block print, 19 in X 16 in.
Alaskan Wildlife
Richard Mock, Alaskan Wildlife, 2001, Linoleum block print, edition: 4/100, 14 in X 18 1/8 in.
Richard Mock, Refugee, 1994, Linoleum block print, Edition: 2/50, 21 in X 17 1/8 in.
The Butterfly Trap
Richard Mock, The Butterfly Trap, 1979, linoleum block print, ed. 15/35, 4 in X 5 in.
NY Times Op Ed, Article #24
Richard Mock, NY Times Op Ed, Article #24, 1993, linoleum block print, Edition: AP, 14 in X 18 in.
Medicine's Threatened
Richard Mock, Medicine's Threatened, 1980, linoleum block print, AP, 13 in X 15 in.
The Wolf and The Hunger
Richard Mock, The Wolf and The Hunger, 1983, Screenprint with glitter, Limited edition: 55, Printer: Grin Graphics, 28 9/16 in X 33 5/8 in.
Linden Falls
Terry McKenna, Linden Falls, 2021, mokuhanga, ed. 6/10, 36.5" X 19.5".
Terry McKenna, Sengataki Wood, 2021, mokuhanga, ed. 3/10, 11.75" X 16.5".
Lines in Ice
Karen Helga Maurstig, Lines in Ice, 2010, mokuhanga, Japanese woodcut, 20 in X 14 in.
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