309 flatfile artwork Results

Tags:
As They Quarrel (Bestizand)
Golnar Adili, As They Quarrel (Bestizand), 2015, Silkscreen on 2 sheets of tissue paper, 25 in X 36 in.
They Are Bound (Barbandond)
Golnar Adili, They Are Bound (Barbandond), 2015, Silkscreen on 2 sheets of tissue paper, 25 in X 36 in.
She Feels Your Absence Deeply
Golnar Adili, She Feels Your Absence Deeply, 2015, Silkscreen on 5 sheets of tissue paper, 36 in X 25 in.
As They Settle (Benshaanand)
Golnar Adili, As They Settle (Benshaanand), 2015, Silkscreen on 4 sheets of tissue paper, 25 in X 36 in.
Benshinand-Benshaanand (as They Sit, They Settle)
Golnar Adili, Benshinand-Benshaanand (as They Sit, They Settle), 2015, silkscreen on 4 layers of tissue, 24" X 36".
No longer available
The Dust of Anguish
David Ambrose, The Dust of Anguish, 2008, Watercolor/gouache, 16 in X 12 in.
No longer available
A Fierce Geometry
David Ambrose, A Fierce Geometry, 2009, watercolor and gouache on pierced paper, 11 in X 8.5 in.
No longer available
Baroque Premonition
David Ambrose, Baroque Premonition, 2008, Watercolor/gouache, X .
No longer available
David Ambrose, Random Precincts, 2008, Watercolor/gouache, 11 in X 8.5 in.
Berlin
Ann Aspinwall, Berlin, 2009, Open-bit etching and aquatint, Edition of 20, 9" X 7".
Common Ground II
Ann Aspinwall, Common Ground II, 2004, Collagraph, Edition of 14, 17 3/4" X 15 1/2".
Münster (III)
Ann Aspinwall, Münster (III), 2009, Open-bite etching and collagraph, Edition of 18, 30" X 39".
Roma
Ann Aspinwall, Roma, 2009, Open-bite etching and spit-bite aquatint, Edition of 20, 9" X 7".
Roma II
Ann Aspinwall, Roma II, 2012, Collagraph, Edition of 18, 20" X 15".
Cynthia Back, Full Circle, 2004, Aquatint and spit bite, 12 in X 28 in.
Encroachment
Cynthia Back, Encroachment, 2011, Reduction woodcut, aquatint, chine colle, 8 in X 22 in.
Las 99 Semillas: Los Immigrantes
Cynthia Back, Las 99 Semillas: Los Immigrantes , 2012, reduction linocut, aquatint, chine colle, 12 in X 18 in.
The Dream
Cameron Bailey, The Dream, 2021, Reduction mokuhanga, 20" X 11".
Adaptation
Cameron Bailey, Adaptation, 2021, Reduction mokuhanga, 12" X 23".
Urban Light Front Street V
Rica Bando, Urban Light Front Street V, 2007, Graphite, 12.5 in X 12.5 in.
No longer available
Urban Light Front Street VI
Rica Bando, Urban Light Front Street VI, 2007, Graphite, 12.5 in X 12.5 in.
No longer available
Untitled 6
Katherine Beck, Untitled 6, 2004, Mixed media, X .
What is to be Built #4
Mildred Beltré, What is to be Built #4, 2012, graphite, marker, 10 in X 10 in.
What is to be Built #8
Mildred Beltré, What is to be Built #8 , 2012, Marker, 8 in X 8 in.
What is to be Built #10
Mildred Beltré, What is to be Built #10, 2012, Graphite/Pencil, 8 in X 8 in.
I Feel (Kind)
Mildred Beltré, I Feel (Kind), 2017, Colored pencil and walnut ink, 38 in X 50 in.
No longer available
See the Unseen
Mildred Beltré, See the Unseen, 2016, Colored pencil and walnut ink, 30 in X 22 in.
I AM 2
Mildred Beltré, I AM 2, 2019, Colored pencil and walnut ink, 22 in X 30 in.
IART
Mildred Beltré, IART, 2019, Colored pencil and walnut ink, 22 in X 30 in.
Untitled
Ernst Benkert, Untitled, 1991, Ink on paper, 30 in X 22 in.
Two Angles
Ernst Benkert, Two Angles, 1982, Ink, 30 in X 22.5 in.
No longer available
Baltic References
Ernst Benkert, Baltic References, 1983, Ink, 30 in X 22.3 in.
No longer available
Bars II
Ernst Benkert, Bars II, 1982, Ink, 30 in X 22.3 in.
Ernst Benkert, Cross Field, 1984, Ink, 9 in X 12 in.
Ernst Benkert, Maurer-Effekt, 1986, ink on paper , 29 in X 23 in.
No longer available
Ernst Benkert, Melancholy Otto , 1986, ink on paper, 29 in X 23 in.
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